Hand Embroidery Samples 8 ….. Bullion Knots

I am loving the challenges this embroidery course is unearthing – experimenting with stitches I already know and some I have have yet to discover. Bullion Knots were a new stitch to me. I always thought they were way too complicated to achieve, but the one thing I have discovered is that practice makes perfect.  The samples on wool plaid below were the first ones I have ever done. The following sample on Irish Linen was made for my Posh Sample Book, and is bullion knots graded from one to 6 strands of DMC cotton embroidery thread.

This experimental sample was created on 100% wool plaid upholstery fabric using DMC stranded embroidery thread, creating the variegation in density of stitch by using 1 –  6 strands. The sample has French Knots and Bullion Knots. I love the contrast of the sheen of the thread against the softness of the wool.

 

Just from the small amount of experimenting I have done with Bullion Knots and French Knots, I have discovered that I can create a huge amount of variegation in my work just by changing the size of stitch (number of strands used), the density if stitches on the fabric and the contrast of thread against the fabric. Have a go yourself ! Happy experimenting.

Hand Embroidery Samples 7….. French Knots

This is another stitch I have used many, many times in my own work, but had always stitched it using two strands of DMC and not thought about the difference it would make just by varying its size and density – so it was therapeutic to set time aside to experiment with it. This sample was created on Irish Linen fabric and using DMC cotton thread working with one strand and building up to six.

This experimental sample was created on 100% wool plaid upholstery fabric using DMC stranded embroidery thread, creating the variegation in stitch by using 1 –  6 strands. The sample has French Knots and Bullion Knots. I love the contrast in textures from the softness of the wool with the sheen of the stitch.

 

I hope you are inspired to have a play with thread yourself.

Mark Making and Printing – Experiment and design your own work

I knew very little about mark making and its importance before starting this embroidery course. Anything that involves paint and making a mess has to be good in my books!

I will share with you what I have discovered. Mark making can be achieved with anything that leaves a mark or impression on a surface – eg. paint or pen on paper, drawing in the sand at the beach, or even playing with string as it falls its own way onto a flat surface. The original ‘mark’ created is an original form of source work perfect for a future design.These are some designs made using bits and bobs I found in my kitchen. I found it very effective using white paint onto black paper. Also I liked using black and white rather than specific colours because I found they created a neutral, unbiased design.

Design sheet 1:

 

Design sheet 2:

 

 

These are a selection of marks evoking movement and emotion.

 

The Staccato design was developed further into a homemade stamp that was then embroidered.

 

 

The one thing I have discovered is that anything goes, and that all designs – especially the ‘mistakes’ are useful. I keep mine in a pile and sift through them occasionally when I need some ideas – it may only be a small section of an image that fits the bill. Have a go yourself!