Batool Showghi  – Meet the Artist

Mixed media artist Batool Showghi explores themes of cultural heritage, memory, identity, and loss. Her work is concerned with the experience of women and the way in which this experience relates to cultural and religious boundaries. Pieces reflect on the theme of turbulence, immigration, disintegration of the family and the experience of displacement.  

In response to the recent uprising of Iranian women, Batool has created a series of textile works around the theme of Struggle and Rise of Women. 

Join Batool as she shares the stories that inspired her work.

Batool Showghi: https://batoolshowghi.com/ 

Batool Showghi

Showghi uses family birth certificates, passports, old photographs and documents to create her pieces. Her work and writings in Farsi are a poetic reflection on her memories, the environment she grew up in, the family, and a city which was lost during the war. These visual autobiographical artworks are designed to narrate and show the beauty and sadness of this struggle which will always be there. 

Work by Batool Showghi
Work by Batool Showghi

Her figures come to life on canvas. The sewing machine and its needle are her drawing tools. She creates these heads, bodies, and hands intuitively, as if they look at the audience and question their plight. There is a sense of solidarity and movement between them. They know that they will succeed and overcome their struggle.  

Work by Batool
Work by Batool

Showghi was born in Iran and moved to England in 1985. She received a merit for her MA in Design & Media Arts from the University of Westminster in 1997. Batool’s mixed media work and artist’s books can be found at: The Tate Britain, British Library, The Royal Navy Museum in Portsmouth, The Museum of Art and Literature, Yerevan, Armenia, and in many public and private collections.  

Work by Batool
Work by Batool

Filmed at the Knitting & Stitching Show, London 2023.

For a more inspiration, please browse the ‘Meet the Artist’ collection on my YouTube Channel.

Peterloo

House of Smalls

A new exhibition at the House of Smalls called ‘Moral Fibre’ prompted me to create a new piece of work called ‘Peterloo’ for the Dollhouse gallery

The exhibition takes place at The House of Smalls, 103 Henderson Row, Stockbridge, Edinburgh EH3 5BB from 1st – 25th August 2024. Part of the Edinburgh Fringe Festival.

‘A good life is like a weaving. Energy is created in the tension. The struggle, the pull and tug are everything’ ~ Joan Erikson

Artists in the Dollhouse 'Moral Fibre' exhibition
Artists in the Dollhouse ‘Moral Fibre’ exhibition

Peterloo

“If we don’t vote, we are ignoring history and giving away the future” Pat Mitchell.

Our vote matters.

Peterloo
Peterloo

With each election, I think of those who came before us. Those who fought to give us the Right to Vote. Emelia Pankhurst and the fight for Women’s Suffrage; and the peaceful protestors at Peterloo in 1819.

On 16 August 1819, 60,000 people congregated in St Peter’s Field in Manchester – the largest ever political gathering of working-class people. Folk from towns across Lancashire marched to the field carrying banners with slogans supporting political reform and the right to vote; included were workers from Middleton near Rochdale, carrying a banner of locally woven blue silk, with the words ‘Liberty, Fraternity, Unity, Strength’ in hand-painted gold lettering.

Peterloo
Peterloo

Their peaceful protest turned bloody when Manchester magistrates gave orders to disperse the crowd. The Yeomanry pulled out their sabres and charged the crowd on horseback.  An estimated 18 people died and more than 650 were injured in the chaos.

The tragic incident is known as the Peterloo Massacre. A moment when ordinary people stepped up to protest in a way that has made its mark in history and with a legacy that lives on to today.

Size 11.5 x 11.5cm. Hand embroidered cotton cloth, DMC embroidery thread.

The Middleton banner is part of the Touchstones Rochdale archives.

Credit: Touchstones Rochdale, People’s History Museum.

This piece forms part of a series of small works created for the House of Smalls.

Update August 2024:

Peterloo in the ‘Moral Fibre’ Dollhouse exhibition.

Dollhouse exhibition
Dollhouse exhibition
Dollhouse
Dollhouse exhibition
Dollhouse exhibition

Jan Beaney and Jean Littlejohn – Meet the Artists

Textile artists and authors, Jan Beaney and Jean Littlejohn, have worked together for over 45 years. Their Rhythms & Reflections exhibition builds on their love of detailed hand and machine embroidered surfaces.

Join Jan and Jean, as they share the stitches and techniques that created the work.

Jan Beaney and Jean Littlejohn:  https://doubletrouble-ent.com/ 

Books by Jan and Jean: https://amzn.to/4bN0G3N 

Jan’s work is inspired by the ever-changing landscape of the Wetlands of Lefkada in Greece.

“The colours and organic growth patterns provided the initial fascination. Excitement followed by observations of the lush, overgrown variety of grasses, which offered layers of glorious textures yet still maintain the rhythms and constrictions of the tidal waterways. Intriguing light and atmospheric changes in early evening and after sundown have led to developing new focal points.” 

Work from the Jan Beaney and Jean Littlejohn exhibition
Work from the Jan Beaney and Jean Littlejohn exhibition

Jean’s work centres on the rhythms and cycles of the moon, and she reflects on how our ancestors viewed these phenomena as evidenced in cultural myths and legends.

“During lockdown, the phases of the moon embodied continuity and reassurance in an uncertain world and became the focus of her work. Moon mythology informed pieces such as ‘Wolf Moon’ and ‘Sturgeon Moon’, whereas other works were responses to night-time observations of atmospheric cloud framed moons.“

Work from the Jan and Jean's exhibition
Work from the Jan and Jean’s exhibition

Filmed at the Knitting & Stitching Show, London 2023.

For a more inspiration, please browse the ‘Meet the Artist’ collection on my YouTube Channel.