Contact Magazine July 2021

In Contact Magazine July 2021 you’ll discover an article sharing the story behind the name ‘Arnold’s Attic’. This digital magazine is the latest publication by the UK Embroiderers’ Guild. If fancy a quick peek, I’ve added a snippet below for you to read.

A copy of the Contact Magazine article
Snapshot of the Contact Magazine article

“Catherine’s use of the name ‘Arnolds Attic’ came about after a chance opportunity to acquire a large collection of vintage haberdashery, cloth and ephemera from a friend of her aunt who was clearing out his house.  The family had worked in the Lancashire textile mills for generations and as his mother had been an avid collector of fabrics her entire life, the collection was varied and substantial.  To honour the memory of this kind gift which moved Catherine from being a keen hobbyist to a passionate explorer and experimenter, she called it after the man and where the collection had been stored – Arnold’s Attic. “

The collection has inspired and appears in many of the works produced over the years and continues to provide a rich kaleidoscope of ideas, source materials and challenges when coupled with Catherine’s memories and heritage of growing up in Lancashire. Catherine began to focus on pieces with this common thread and exhibitions to showcase these to educate and inform about the many aspects of this important era and her childhood growing up in the now declining industries. In more recent years, Catherine has sought to perfect a style of ‘handwriting’ stitching in her signature red thread (a lot sourced from the collection) and use this to narrate stories to conjure images and emotions and fire the imagination.

Contact /magazine July 2021

The Guild contacted me earlier this year asking me to take part in the series ‘A-Z of Artists’. It’s an honour to share my work alongside some amazing textile artists. The artworks appearing in the article are Matchbox Challenge and Time for Tea, which I created under the name of Catherine Hill Textile Artist.

Water Works Exhibition

I’m pleased to announce that “Moors of Home ” has been selected by Sarah, curator at Spring Up Gallery, for the Water Works Exhibition. This virtual exhibition will be available to view from 15th August to 12th September 2021 via this link.

To read more about this artwork, please visit this post.

Exhibition Poster showing a background of rippling blue water
Exhibition Poster
Moors of Home - red hand embroidered words of a lancashire poem onto cotton cloth
Moors of Home

Size 21 x 27 cm. The piece is hand embroidered and hand stitched with vintage Sylko thread on cotton cloth Eco printed with leaves and petals from my lockdown garden in Summer 2020.

Screen shot of the  Gallery
Screen shot of the Virtual Gallery
Screen shot of the Water Works Exhibition Gallery
Screen shot of the Water Works Exhibition Gallery

This is the third time I have exhibited art with the Spring Up Gallery.

Collateral Project

Collateral Project instructions, white fabric and thread

This new embroidery is my contribution to the Collateral Project curated by artist Brigid McLeer. Over a hundred embroiderers have each received a kit of instructions and materials to complete their blocks.

Each embroiderer has the freedom to compete the outline in a stitch of their choice. I chose a form of split stitch using a single strand of 6 stranded embroidery thread. The finishing touch was stitching five bows.

Collateral Project - hand embroidered white thread on silk organza - image of the outline of a body wrapped in cloth
Hand embroidered with white thread

The completed embroidery panel will exhibit at Queen Street Mill, Burnley, Lancashire from 1st – 31st October 2021.

Collateral Project - hand embroidered white thread on silk organza - image of the outline of a body wrapped in cloth
Close up – bows added to the final embroidery
Collateral Project  a whte thread embroidery on whaite cloth showing a bdy in a shroud, photographed at   Queen Street Mill
Collateral Project will be displayed at Queen Street Mill

“For British Textile Biennial 2021 artist Brigid McLeer creates a memorial to the hundreds of workers who die in factories and sweatshops across the world that supply the global garment industry. Made in collaboration with local embroiderers and inspired by a large scale lace panel from the Gawthorpe Textile Collection commemorating the Battle of Britain, the work will be a moving testament to the lives lost to feed the West’s seemingly bottomless appetite for fast fashion. The new embroidered panel will be 450 x 163 cm and around three of its four sides will be a 10cm wide border with a repeated motif. The motif re-draws the repeated pattern of wheat sheaves depicted on the Battle of Britain lace panel, as a repeated pattern of bodies, wrapped in fabric and laid out on the ground, drawn from a photograph of victims taken after the Kader Industrial factory fire in 1993.”

Collateral Project

Collateral is just one of many events taking part in the British Textile Biennial held across Lancashire in October. This is the second piece of embroidery I have created for the British Textile Biennial 2021.