Hand Embroidery Samples 1 …. Fly Stitch

Last year I started a Hand Embroidery course. Having dabbled in embroidery over the years (mainly self taught), I thought it was time I learned how to embroider ‘properly’.
My main reason for taking part, was that the course encouraged students to experiment with lots of different fabrics and threads – think outside the box – and decide for themselves the pros and cons of each in their own work. Which means lots of playing for me!
For each stitch, I completed one of more experimental samples.

Experimental Sample – Fly Stitch on hand dyed wool blanket

In addition to these samples I created more refined samples, using Irish Linen, for a lovely journal of needlework I am compiling (from Pink Pig in Huddersfield) – I love their books!  Here is the first journal sample – Fly Stitch – created using threads including hand dyed linen, DMC stranded embroidery thread, imitation silk, Appleton Crewel wool and hand dyed extra fine silk.

Fly Stitch on Irish Linen for Journal

Experimental pieces below were completed on a Silk woven fabric. The threads used included hemp, wool, DMC stranded Embroidery thread and Sylko 50 weight sewing thread. I thoroughly enjoyed being given ‘permission’ to mess about with fabric and thread and learnt a great deal in the process.
Experimental Sample – Fly Stitch on woven silk
Fly Stitch on woven silk

Each finished sample has been stitched onto Elephant Dung paper from Frogmore Paper Mill and annotated with any comments I have about the sample – threads and fabric used; what I liked and disliked about them; any conclusions; what I found out.

 

Experimental sample is stitch mounted onto the Elephant Dung Paper

The Knitting and Stitching Show 2014, Alexandra Palace, London – Part 3 – WW1 Remembered

At textile exhibitions, I find there are generally one or two pieces of work that I find myself drawn to. It might be it’s construction, colour, techniques incorporated, or textures created that lure me in.

The following piece was so stunning. I was going to include it in one of my previous posts, but it is so unique, it needs a post all of its own to be appreciated fully.
This is a piece in memory of the fallen in WW1…. which was a running theme at the Show this Centenary year.
Created by Susan Canfield called “Time held me Green and Dying”  from textile group Between the Lines: East Anglia Stitch Textiles.

 

 

 

 

 

 

 

 

Hens Teeth at Hope and Elvis – 2013

Last year I was a very lucky girl and managed to get a place on the Hens Teeth workshop at Hope and Elvis. The idea was to make a sewing or needle case, but as always, I tend not to follow rules and ended up creating something else!

I started off with scraps from an old blanket then added vintage red bias binding and vintage calico from my Arnold’s Attic stash. The wonderful Viv from Hens Teeth gave each of us a screen print for us to embroider the date onto, plus and a selection of screen printed figures to choose from too – I chose her iconic running hen. The whole thing was finished off with flurries of embroidery, inspired by Viv,  and some vintage linen buttons from the stash from Arnold’s Attic.
Here is my finished piece…..I hope you like it .
Thank you to Viv for sharing your work with us and to Louise for sharing your relaxing Studio at Hope and Elvis.

The front cover – complete with vintage linen buttons
Viv was a sweetie and signed my work

 

 

The back cover