At textile exhibitions, I find there are generally one or two pieces of work that I find myself drawn to. It might be it’s construction, colour, techniques incorporated, or textures created that lure me in.









At textile exhibitions, I find there are generally one or two pieces of work that I find myself drawn to. It might be it’s construction, colour, techniques incorporated, or textures created that lure me in.









This year the Fair was a month earlier than last year and the weather was on our side. The Kings Road was bathed in sunshine. It was wonderful to be sitting outside, having coffee and cake and watching the world go by.
The Fair was buzzing with creativity; lots of colourful textiles, vintage and handmade pieces.
So much to see! This year I combined the trip with a day out in London with my husband. I wasn’t sure how it would work out (you know, finding out how much I spend!) but he positively encouraged me to buy all the goodies I liked. He knows how much I adore displaying handmade goodies in my sewing room.
Here are some photos from the day from the sunny rooms of the Chelsea Old Town Hall.

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| The lovely Viv from Hens Teeth |
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| Grace from A Threadbear Productions with her menagerie of friends |
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| The Chelsea Old Town Hall has such beautiful interiors |


I go to the the Knitting and Stitching Show for three main reasons – the workshops, the exhibitions and the shopping.
The exhibitions are the greatest eclectic mix of artists in the field of textiles, and I never really know what to expect until I walk into their exhibition space. Some artists showcase their previous collections, whilst some create a whole new collection of work specifically for the Knitting and Stitching Shows.
Here is a selection of some of the wonderful work that was on display…. if you get a chance, visit The Knitting and Stitching Show in Harrogate later in the year to see some of these exhibitions.
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| by Sue Walton |
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| by Ann Small |

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| by Jackie Langfeld of Prism |

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| by Jean Bennett |
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| by Renate Keeping |
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| by Jo Beattie |

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| by Caren Garfen |
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| by Marjolein Dallinga of The Black Sheep |