Vivienne Beaumont – Meet the Artist

A little textile inspiration from my YouTube Collection. Today it features the beautiful machine and hand embroidery by Vivienne Beaumont.

Join Vivienne as she shares the art in her ‘Seeds, Flowers and Flowing Hair’ exhibition and explains the processes and stories behind the work. 

https://youtu.be/9WZeg9zjIog

Vivienne Beaumont:   https://www.viviennebeaumont.net/ 

Hand & Machine embroidered artwork by Vivienne Beaumont
Hand & Machine embroidered artwork by Vivienne Beaumont

Ripe with seeds, pomegranates and scenes of harvest, Vivienne’s work is shaped by stories and symbols. She takes inspiration from myths and nature, from female archetypes and the process of transformation.  The work has a soulful quality and often a sense of otherworldliness – her frequent use of gold threads reflects something of the Rumpelstiltskin, the fairy tale.    Her figurative scenes look to the ephemerality and cyclical nature of life, representing both life force and loss. 

Hand & Machine embroidered artwork
Hand & Machine embroidered artwork

“Fields are often aglow in the late summer, through the harvest and its aftermath. I try to capture something of this in my work, as well as something of the folk tale or fairy tale: the jeopardy of the miller’s daughter, the alchemy of weaving straw into gold. That these tales have endured the ages, suggests they hold a deeper meaning for us.  

The Red Riding Hood story, for example, is at heart the tale of a maiden’s rite of passage. The young girl is growing up, the mother is letting her daughter go on her own into the woods. The story alludes to virginity and the spilling of blood. The wolf traditionally plays the role of the sexual predator, but I portray the wolf as the protector, the threat instead from the darkness and the unknown.  

Mothers and daughters, love and rites of passage – the repeated cycles from one generation to the next – these loom large in my textile story.”   

Vivienne Beaumont. 
Exhibition artwork
Exhibition artwork

Filmed at the Knitting & Stitching Show 2022

Away from the Chaos

My latest piece – a mini artwork called Away from the Chaos – has been chosen by curator Ivonne Fernandez for the ”Miniatur-Ausstellung zum Thema Autismus – Autism” Doll House exhibition at Villa Mosaïk, Steubenstraße 79, Aschaffenburg, Germany.

The artwork

“Children on the autism spectrum often play in an inflexible, rule bound way. The features associated with autism, including cognitive rigidity, pervasive anxiety, and resistance to change.”

For people on the spectrum routine, repetition, and ritual bring order to an otherwise chaotic world.

The colour blue’s association to autism originated with the autism advocacy association known as Autism Speaks. Their “Light it Up Blue” campaign calls for people to wear blue to promote autism awareness. Blue is also the organisation’s primary colour and is associated with a calm feeling and acceptance in an otherwise loud and busy world for people on the spectrum.

Size 11.5 x 11.5cm, perle & embroidery thread, hand embroidered onto vintage cotton cloth.

Away from the Chaos hand embroidered art
Away from the Chaos
Away from the Chaos - detail
Away from the Chaos – detail

This is the third Doll House exhibition I’ve taken part in in Germany and the UK.

Artists taking part in the exhibition
Artists taking part in the exhibition

Reel Stories

My latest artworks called Reel Stories, started life as a handful of reels that I rediscovered after a day sorting through my collection of vintage cotton reels. The smallest reels are a perfect size for my hand embroidered text.

It’s funny how a relaxed day pottering around can spark an idea.

Reel Stories
Reel Stories

The cotton cloth is an old pillowcase that I eco printed with plants from my garden – to date I’ve created three artworks in this series.

The first features an extract from a Lancashire poem ‘Hand Loom v. Power Loom’, author unknown. Unwound the artwork is 2 wide x 2m long.

Come all you cotton weavers, your looms you may pull down.
You must get employment in factories, in country or in town.
For our cotton masters have a wonderful new scheme:
These calico goods now wove by hand, they’re going to weave by steam.

There’s sow-makers and dressers and some are making warps.
These poor pincop-spinners they must mind their flats and sharps.
For if an end slips under, as sometimes perchance it may,
They’ll daub you down in black and white and you’ve a shilling to pay.

The weavers’ turn will next come on, for they must not escape.
To enlarge the master’s fortune, they are fined in every shape.
For thin places or bad edges, a go or else a float,
They’ll daub you down and you must pay three pence or else a groat.

If you go into a loom shop where there’s three or four pairs of looms,
They all are standing idle, a-cluttering up the rooms.
And if you ask the reason why, t’ould mother will tell you plain:
“My daughters have forsaken them and gone to weave by steam.”

So come all you cotton weavers, you must rise up very soon,
For you must work in factories from morning until noon.
You mustn’t walk in your garden for two or three hours a day,
For you must stand at their command and keep your shuttles in play.

‘Hand Loom v. Power Loom’, author unknown.
First in the series of Reel Stories
First in the series of Reel Stories

The second artwork is a list of all the cotton mill workers jobs which includes titles like quilter, beamer and tenter. Unwound the artwork is 2cm wide x. 2.7m long

Second in the series
Second in the series

The third artwork documents the cotton industry mills and works that processed the cotton. Unwound the size is 2cm wide x 70cm long.

Third in the series
Third in the series

These pieces are part of a body of work about the Lancashire cotton industry.

Update:

I’m pleased to announce that Reel Stories 1 & 3 have been accepted for the 3rd International Micro Textile and FIbre Art Exhibition “Scythia” at 17.00, str. Mariyky Pidhiryanky 23, Ivano-Frankivs’k, Ukraine. 6th – 20th June 2023 (the exhibition catalogue is available to view here – my artwork appears on page 34)

The new edition of the international textile and fibre art exhibitions Mini and Micro Scythia, now in their 11th and 3rd year respectively, will open on 6 June. These two important events, which take place every two years, are part of the larger project that includes the well-known International Biennial of Contemporary Textile and Fibre Art Scythia and the Fibremen exhibition.

In the Mini Textile category, works by 131 artists from 33 countries will be exhibited, while 50 artists will be selected for the Micro Textile and Fibre art exhibition, representing 23 countries.

Scythia 2023

For more information please visit Scythia or discover more in an article in ArteMorbida magazine.