Collateral Project

Collateral Project instructions, white fabric and thread

This new embroidery is my contribution to the Collateral Project curated by artist Brigid McLeer. Over a hundred embroiderers have each received a kit of instructions and materials to complete their blocks.

Each embroiderer has the freedom to compete the outline in a stitch of their choice. I chose a form of split stitch using a single strand of 6 stranded embroidery thread. The finishing touch was stitching five bows.

Collateral Project - hand embroidered white thread on silk organza - image of the outline of a body wrapped in cloth
Hand embroidered with white thread

The completed embroidery panel will exhibit at Queen Street Mill, Burnley, Lancashire from 1st – 31st October 2021.

Collateral Project - hand embroidered white thread on silk organza - image of the outline of a body wrapped in cloth
Close up – bows added to the final embroidery
Collateral Project  a whte thread embroidery on whaite cloth showing a bdy in a shroud, photographed at   Queen Street Mill
Collateral Project will be displayed at Queen Street Mill

“For British Textile Biennial 2021 artist Brigid McLeer creates a memorial to the hundreds of workers who die in factories and sweatshops across the world that supply the global garment industry. Made in collaboration with local embroiderers and inspired by a large scale lace panel from the Gawthorpe Textile Collection commemorating the Battle of Britain, the work will be a moving testament to the lives lost to feed the West’s seemingly bottomless appetite for fast fashion. The new embroidered panel will be 450 x 163 cm and around three of its four sides will be a 10cm wide border with a repeated motif. The motif re-draws the repeated pattern of wheat sheaves depicted on the Battle of Britain lace panel, as a repeated pattern of bodies, wrapped in fabric and laid out on the ground, drawn from a photograph of victims taken after the Kader Industrial factory fire in 1993.”

Collateral Project

Collateral is just one of many events taking part in the British Textile Biennial held across Lancashire in October. This is the second piece of embroidery I have created for the British Textile Biennial 2021.

Special COVID-19 Edition

I’m pleased to announce that “Moors of Home ” has been selected by Alice, Lenny & Vanessa curators at Dwell Time, for the Special COVID-19 Edition online publication .

This ongoing virtual exhibition collects art, writing and poetry reflecting on mental wellbeing in the COVID-19 pandemic- and is available to view via this link.

Moors of home embroidered poetry on the website of Dwell Time Special COVID-19 Edition
Screen shot – Dwell Time Special COVID-19 Edition

Size 21 x 27 cm. Hand embroidered and hand stitched with vintage Sylko thread onto cotton cloth Eco printed with leaves and petals from my lockdown garden in Summer 2020.

Dwell time: The time a train spends at a scheduled stop without moving. Typically, this time is spent boarding or alighting passengers, but it may also be spent waiting for traffic ahead to clear, or idling time in order to get back on schedule. In these unprecedented and worrying times, our mental well being and creativity is paramount. Whilst we are confined with limited social interaction, we want to offer online space to explore our responses to the pandemic and social isolation. It’s OK to not be OK and anyone who has any reflections about this is welcome to send them for inclusion on our website. Dwell Time is an award winning, not-for-profit arts publication reflecting on mental well being.

Produced and curated by Alice Bradshaw, Vanessa Haley & Lenny Szrama in collaboration with Penistone Line Partnership. Founded in 2018.

Arcadia Exhibition

Moors of Home - red hand embroidered words of a lancashire poem onto cotton cloth

I’m pleased to announce that “Moors of Home ” has been selected by Shannon Skye Robinson curator at Curating Futures, for the Arcadia Exhibition. This virtual exhibition will be available to view from 1st August 2021 via this link.

Arcadia Exhibition poster - modern white rectangular building set in a forest
Arcadia Exhibition Poster
Moors of Home - red hand embroidered words of a lancashire poem onto cotton cloth
Moors of Home

Size 21 x 27 cm. Hand embroidered and hand stitched with vintage Sylko thread onto cotton cloth Eco printed with leaves and petals from my lockdown garden in Summer 2020.

Inside modern looking exhibition space - art of all kinds on the white walls
Screenshot – Inside the gallery
Inside modern looking exhibition space - art of all kinds on the white walls
Screenshot – Inside the gallery
Inside modern looking exhibition space - art of all kinds on the white walls
Inside the gallery – Moors of Home on the virtual wall
Names & images of artwork of exhibiting artists
A snapshot of the Exhibiting Artists

“Curating Futures is the brainchild of Shannon Skye Robinson- a curator, designer, and project coordinator.

The project was planned to bring together artists, create a supportive network of like-minded individuals, and generate an inspirational environment for creatives- and their practices- to grow.

The Curating Futures community are a multi-disciplinary group of creative individuals from around the world. We are passionate about art, creativity, culture, and sustainability; together, we work to learn new skills, gain new experiences, and seek new inspiration.

Within our community we collaborate, share ideas, and support one another to produce blogs, workshops, exhibitions and online events.”

This is the second time I’ve worked with Shannon Skye Robinson.