Time to Pause

hand embroidered Arabic text - Darija - Time to Pause

Introducing – Fes i: Time to Pause. The rich culture of Fes is reflected in its architecture and woven into the rhythm of daily life. This is especially evident in the calls to prayer, which punctuate the day from before sunrise until after sunset.

hand embroidered Arabic text - Darija - Time to Pause
Time to Pause

About: Time to Pause: 

One morning, I set my alarm for 5am – about half an hour before dawn – and sat in the darkness, waiting for the first call. Shortly before daybreak, a single soft, gentle voice echoed across the medina, singing the morning prayer. Minutes later, a second and third voice joined in, gradually blending with the dawn chorus of Fes’ birds, marking the beginning of a new day.

This moment inspired a poem I wrote in English and later translated into Darija, the Moroccan Arabic dialect spoken in Fes. The English version has a rhyming rhythm, while the Arabic translation reads as a narrative.

Fes i: Time to Pause, began as a continuation of my Red Box series – square compositions of hand-embroidered text drawn from lived experience. I first wrote the narrative in English and, with the help of a friend in Fes, translated it into Darija, ensuring the phrasing felt natural, authentic, and true to the original sentiment.

The work is part of a series shaped by my residency in Fes. Words, local dialect, and hand embroidery are central to my practice. Stitched in Darija (the dialect of Moroccan Arabic) and inspired by daily life on the retreat, the piece celebrates everyday rituals and quiet moments of reflection. Hand-embroidered in vintage red Sylko thread, it also pays homage to one of Morocco’s national colours.

Size: Hand embroidered panel measures 21 x 21cm approximately.

Hand embroidered Arabic text - Time to Pause
Hand embroidered Arabic text – Time to Pause

Poem: Time to Pause

Time to Pause:

Beneath the moon and countless stars is silence, all is still….. in tranquil sleep the city rests, in peaceful calm until … 

The moonlight fades across the sky, before the rising sun…. Sweet birdsong joins a single voice: a new day has begun …

And this voice joins with others throughout the waking day ….. Five times they come together: a call to worship and to pray …

From mosques arise melodic tones that swell and fill the air…. And echo from the city walls, each alleyway and square …

And asks for those both near and far, from shop or market stall…. Or craftsmen, trades of every kind to answer to the call …

To pause, down tools, assemble, join with others, kneel and stand… In spaces small and humble to majestic, tiled and grand…

Prostrate, bow, pray with neighbours, fellow worshipers; before….Returning to their daily work, their livelihood, their chore …

This guide and rhythm through the day, this pace to life is met; From before the sun has risen until after it has set …

Original words composed by Catherine Hill.

Reverse of the work - Time to Pause
Reverse of the work – Time to Pause

Prism Textiles Exhibiiton

Three pieces from this series will be exhibited at Prism Textiles this April:

The Art Pavilion, Mile End Park, London E3 4QY
17–26 April | Open 11:00–18:00 daily | FREE ENTRY

Prism Textile exhibition poster - featuring Fes i: Time to Pause
Prism Textile exhibition poster – featuring Fes i: Time to Pause

Sara Impey – Meet the Artist


Sara Impey specialises in textile artworks inspired by traditional quilt-making techniques, incorporating free-machine stitched lettering. A former journalist, Impey writes her own material, allowing her to play with language visually and use the quilted surface to comment on contemporary issues. 

Quilt by Sara Impey
Free machine stitched text

In this video Sarah shares her ‘Context’ exhibition with us.


Sara Impey: https://www.saraimpey.com 

Sara Impey

A recurring theme in Sara Impey’s practice is the power of words—their ability to persuade, inspire, and sometimes mislead. In an era increasingly defined by contested narratives, her work highlights the importance of language and its impact. At the same time, she celebrates the legacy of needlework, honoring the craftsmanship and creative spirit of generations of quilters and embroiderers. Her pieces often explore the process of making itself, offering a stitcher’s-eye view into the construction of textile art.

Quilt by Sara Impey
Quilt by Sara Impey

Primarily working in wall-hung quilts, Impey occasionally ventures into three-dimensional forms, embracing new creative challenges. Her work is exhibited nationally and internationally and has received numerous accolades. Impey’s quilts are held in major public collections, including the Victoria & Albert Museum, the International Quilt Museum, and The Quilters’ Guild Collection.

Quilt by Sara Impey
Quilt by Sara Impey

She is a member of the pan-European group Quilt Art and an honorary member of The Quilters’ Guild. Her book, Text in Textile Art, was published by Batsford in 2013.

O Curioso Gabinete: Animal Exhibition

I’m pleased to share that Found – Toy Lion has been selected by curator Alison Davis Kurley, for the O Curioso Gabinete: Animal Exhibition – an exhibition touring Portugal.

Found: Toy Lion - part of the O Curioso Gabinete: Animal Exhibition
Found: Toy Lion – part of the O Curioso Gabinete: Animal Exhibition

O Curioso Gabinete: Animal Exhibition

O Curioso Gabinete is a touring exhibition of miniature 2D and 3D works shown in a hamster cage. The cabinet will be displayed in several galleries and other locations in Portugal, including Porto, Coimbra and Tomar.

All work has a maximum length of 10cm and weighs no more than 60g – the average length and weight of a hamster. 

Update

The first stop of the tour, 26 September – 3 October 2025, is A Tentadora in Covilhã. Covilhã is a city in the Portuguese mountains and has a good arts scene. A Tentadora is a small, beautiful space that hosts exhibitions alongside its shop and workspaces. The exhibition will then transfer to its next Porto location. 

Found: Toy Lion inside the Hamster cage
Found: Toy Lion inside the Hamster cage

Update:

The second stop of the tour, 4-16 October 2025 in Porto. The exhibition will then transfer to its next Tomar location. 

Update:

The third stop of the tour, 17-18 October 2025 in Tomar. The exhibition will then transfer to its next Celas location.

Update:

The fourth stop of the tour, 25-31 October 2025 in Celas.

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